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Russia moon probe crash likely left 33-foot-wide crater on the lunar surface, NASA images show_我的网站

A |     Russia's Luna-25 probe likely left a 33-foot-wide crater on the surface of the moon last month when it lost control and crashed down, NASA said Thursday, revealing images that show the suspected impact site.Russia's first moon mission in 47 years ended in failure on August 19 when the Luna-25 probe smashed into the moon after a thruster firing went awry, cutting off communications and putting the spacecraft on the wrong orbital path, according to Roscosmos, the Russian space agency.NASA's Lunar Reconnaissance Orbiter (LRO) spacecraft captured images last week of what the U.S. space agency described as a "new crater" after Roscosmos published an estimate of where the probe had struck.

             

"Since this new crater is close to the Luna-25 estimated impact point," NASA wrote in a statement, "the LRO team concludes it is likely to be from that mission, rather than a natural impactor."      Moscow has set up a commission to investigate exactly why Luna-25 crashed.The failure was a major disappointment for the Russian space program, which was attempting to up its game amid renewed interest in the moon's southern polar region, where ice deposits may exist in permanently shadowed craters. Ice could offer future space missions a way to produce breathable air, water and even hydrogen rocket fuel.                 The Russians have had little success with independent space exploration since the Luna-24 robot landed on the moon in 1976. It scooped up about six ounces of lunar soil and returned it to Earth in Russia's third successful robotic lunar sample return mission.Twelve NASA astronauts walked on the moon a half century ago in the agency's Apollo program, but no Russian cosmonauts ever made the trip. Russia's only previous post-Soviet deep space robotic missions, both targeting Mars, ended in failure.

    

                                                     

    

Luna-25 was an attempt to pick up the torch and put Russia back into a new space race of sorts, as the U.S., China, India, Japan and the private sector all plan multiple moon missions that could lay the foundations for lunar bases and eventual flights to Mars.India's Chandrayaan-3 Vikram lunar lander made a historic touch-down near the moon's south pole just several days after the Russian probe crashed. It delivered a lunar rover that has already sent back data from soil samples.                      William Harwood contributed to this report.                                 

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• Russia
    
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• NASA
    

。         Chinese picture book artist Cai Gao Photo: VCGOn Saturday Beijing time, the 2026 Hans Christian Andersen Award ceremony was held in Canada. Eighty-year-old Chinese picture book artist Cai Gao attended the event in person to receive the medal and certificate, becoming the first Chinese illustrator to win this honor in the award's 60-year history.
The prize is awarded every two years by the International Board on Books for Young People (IBBY) to a living author (since 1956) and illustrator (since 1966). The award is often referred to as the "Nobel Prize for children's literature," honoring lifelong achievements that have made a lasting and important contribution to children's literature. 
During the award ceremony, IBBY President Basarat Kazim praised Cai for the elegant, unrushed style in her works, which encourages children to look closely and discover beauty in quiet corners, according to the Guangming Daily. 
Kazim said Cai's works have an unhurried elegance that encourages children to look closely and discover beauty in quiet, everyday moment.
"This year's winner, Cai Gao, is extremely special. She is as beautiful a person as the drawings she does," Kazim said.
Following author Cao Wenxuan's win of the Hans Christian Andersen Awards as a writer of children's literature in 2016, Cai's achievement means that Chinese creators have now won both the author and illustrator categories, a "double victory."
In her acceptance speech, Cai said, "The future of the world lies in children. There is no greater happiness than creating for them." She also noted that children's books are bridges, connecting cultures and hearts around the world.
Reflecting on her childhood and her years teaching in rural villages, Cai recalled that after six years working as a rural primary school teacher in the 1980s, she joined a publishing house, where she spent two decades as a children's book editor. "This job taught me the most important lesson: to see life through the eyes of a child, and to use art as a way of expressing my feelings about life," she noted.
"I feel the profound weight of this gift from life. I'm filled with mixed emotions. I'm moved and grateful for everything I've been through. Every experience has shaped me into the person I am today," she added.
Alongside her editing career, Cai kept creating original picture books. Her well-known book Yueliang Baba is based on folk songs her grandmother would sing in her native Changsha dialect. Works like Huocheng 1938 (lit: Fire City 1938) were inspired by memories of wartime in Changsha, capital of Central China's Hunan Province. The rural scenery and farming scenes in The Land of the Peach Blossom, a book which is also listed as textbooks for primary school students in Japan, all reflect her lifelong connection to the Hunan countryside and many years quietly editing books at her desk, according to the China News Service. 
Though her illustrations reflect the atmosphere of the times, Cai told the Global Times that her stories' true intentions go beyond the visual; she hopes her work can teach children that "fearlessness and love are ways to overcome hardship."
Books such as Bao'er, Hua Mulan, The Land of the Peach Blossom, and The Hundred Birds' Feather Robe have established Cai as an illustrator who skillfully interprets traditional Chinese culture. She constantly revisits the classics, striving to connect ancient stories to contemporary social and cultural themes.
Before winning the Hans Christian Andersen Award in 2026, Cai became, in 1993, the first Chinese illustrator to win the Golden Apple Award, one of the world's top international honors for children's illustration. Cai has always emphasized that these awards do not belong to her alone. 
"When I learned that I had won the award, my first thought was of all the creators of my generation. This award is not just mine, it belongs to all of us," she said.
Cai's victory fills a six-decade gap for Chinese illustrators in the award's history, Zhang Peng, an associate professor at Nanjing Normal University and also president of the university's publishing house, told the Global Times. It also shows that original picture books, rooted in Chinese tradition and told with Eastern aesthetics, are fully capable of earning global recognition, Zhang added.
Zhang noted that for a long time, the Chinese children's book market was dominated by foreign imports, and local authors often struggled with the anxiety of imitating Western works. At 80, Cai has set a striking example for the industry with her use of ink-and-wash folk art, proving that the more grounded in national culture a work is, the wider its global reach. This has inspired greater confidence among local creators and encourages more people to focus on traditional Chinese culture, while paving the way for Chinese children's books to go global.
"Cai's achievement is no accident. It marks the moment when Chinese children's books truly found their own voice on the world stage," Zhang said.
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